DOP/ Personal Works
Assistant/ Other Works
Are You There (2023) | Director, DOP, Colorist
Dir. Marin Kawamori
Camera: Arri SR3
Lens: Zeiss Distagon
Format: Super 16mm
PLUME (2021) | DOP, Colorist
Dir. Felix Howarth
Camera: Fs7
Lens: Samyang primes
Format: Digital
Bea Anderson ‘Nauseous’ | DOP, Colorist
Dir. Greta Stepanyan
8mm by Hamda – Sagal Ibrahim
Camera: BMPCC4K
Lens: Sigma 18 – 35mm F 1.8
Format: Digital
theMakings Campaign Video | DOP, Co-Editor, Colorist
Dir. Balwant Ahira
Camera: Fs5
Lens: Zeiss ZF.2 50mm f/2 T* Makro-Planar
Format: Digital
‘Imaginary Iggy’ | Camera Trainee
Dir. Bert & Bertie
DOP. James Whitaker
Dir. Marin Kawamori
Camera: Sony Fs5
Lens: Helios-44M 58mm F2.0 M42, Zeiss Distagon 28mm F2, Zeiss ZF.2 50mm F2 T* Makro-Planar
Format: Digital
SHE (Shared Human Experience) | Second AC
Dir. Idris Fassasi
DOP. Jake Betteridge
HIGH ROLLERS (Currently in Post Production) | DOP, Colorist
Dir. Diana Amado
Camera: BMPCC4K
Lens: Panasonic Lumix G 20mm F1.7, Samyang 50mm F1.4
Format: Digital
Lisbon on Super 8 | Personal Project
Camera: Super 8
Format: Film
Days in Ladakh | Personal Project
Camera: Sony a7iii
Format: Digital
THE RABBIT (2019) | Colorist
Dir. Yangyixin Wei
DOG DAYS (2019) | DOP, Colorist
Dir. Simin Zeng
Camera: Fs5
Lens: Zeiss ZE.2 35mm, 50mm T* Makro-Planar, Sony 16 – 35mm
Format: Digital
CUT (2019) | DOP, Colorist
Dir. Simran Ahira
Camera: Fs5
Lens: Sony Planar T* 50mm f1.4, Sony 90mm f2.8
Format: Digital
BASS PLACE (2018) | DOP, Colorist
Dir. Simran Ahira
Camera: Fs5
Lens: Sony Planar T* 50mm f1.4, Sony 90mm f2.8
Format: Digital
スイカ / Watermelon (2019) | DOP, Colorist
Dir. Kanna Takahashi
Camera: Canon 5D
Lens: Canon EF 50mm f1.2
Format: Digital
Simran Ahira ‘These Days’ | DOP, Colorist
Dir. Simran Ahira
Camera: Fs5
Lens: Sony Planar T* 50mm f1.4, Sony 90mm f2.8
Format: Digital